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The amazing web site of Shakespeare's Sonnets. Industry and Idleness. Plate 5. The Idle Apprentice turned away and sent to sea, by Hogarth.
HAKESPEARE'S ONNETS
This is part of the web site of Shakespeare's sonnets
PICTURE GALLERY.
William Hogarth 1697 - 1764.
Industry
and Idleness. Plate 5. The Idle Apprentice turned away and sent to sea.
1747.
| Hogarth
first achieved fame as an artist through his series of moralistic
engravings, commencing with A
Harlot's Progress
in 1731. This was followed by A
Rake's Progress
in 1735, Marriage
ŕ-la-mode
in 1743-5, and Industry
and Idleness in
1747
. Originally the sets of pictures were oil
paintings which
Hogarth subsequently published as engravings. However the
Industry and Idleness series was conceived entirely as a set
of engravings which were not copied from paintings. They were
put on sale for one shilling each, which is equivalent today, (2008),
to about ten pounds sterling (GBP). Evidently Hogarth was
trying
to appeal to a wider audience than the upper class wealthy who were his
usual patrons. The Industry and Idleness series is rather crudely moralistic, depicting how industry and virtue are rewarded with worldly success, while idleness, corruption and vice is ultimately punished by the gallows. Despite this rather tedious tale, which is not true to life and simplistically misrepresents the apprenticeship system of the time, the engravings are a superb record of both the lower and upper end of London life of the time. The banqueting scene of Plate 8 and the two final crowd scenes of the Tyburn spectacle and the Lord Mayor's Parade are incomparable and show the satirical Hogarth at his very best. |
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| Tom
Idle has evidently been discharged from his position in the loom
factory, or else he himself decides to run away to sea. At any
rate his indentures have been cast away upon the water. His
mother in the boat pleads with him to show some restraint, but he makes
fun of the situation by mimicking the name of the place they are
passing, Cuckold's Point. His two companions mock him with the
cat-o-nine-tails and the gibbet, as being his future destiny. The
many windmills on the shoreline are perhaps suggestive of Essex and the
outer reaches of the Thames. . |
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London Bridge As it was in Shakespeare's day, circa 1600. |
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