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OMMENTARY
SONNET 4 IV
IV 1. Unthrifty loveliness,
why dost thou spend |
The youth is urged once again not to throw away without regard the beauty which is his to perfection. It is Nature's gift, but only given on condition that it is used to profit the world, that is, by handing it on to future generations. An analogy is drawn from money-lending: the usurer should use his money wisely. Yet the young man has dealings with himself alone, and cannot give a satisfactory account of time well spent. If he continues to behave in such a way, his beauty will die with him, whereas he could leave inheritors to benefit from his legacy. |
THE 1609 QUARTO VERSION
And being franck ſhe lends to thoſe are free: Then beautious nigard why dooſt thou abuſe, The bountious largeſſe giuen thee to giue? Profitles vſerer why dooſt thou vſe So great a ſumme of ſummes yet can'ſt not liue? For hauing traffike with thy ſelfe alone, Thou of thy ſelfe thy ſweet ſelfe doſt deceaue, Then how when nature calls thee to be gone, What acceptable Audit can'ſt thou leaue? Thy vnuſ'd beauty muſt be tomb'd with thee, Which vſed liues th'executor to be. |
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1.
Unthrifty loveliness, why dost thou spend |
1.
Unthrifty = Unsaving, wasteful., prodigal.
loveliness - this is personified as the youth. The youth is beauty itself. 1-2. Why dost thou spend/ upon thyself - As well as the financial sense of squandering wealth and resources, this also has a secondary sexual reference of emitting semen . Compare : He wears his honour in a box unseen That hugs his kicky wicky here at home, Spending his manly marrow in her arms, Which should sustain the bound and high curvet AW.II.3.272-5. |
2. Upon thy self thy beauty's
legacy? |
upon thy
self
- see the note above. The implication is that all his pleasure is
wasted
upon himself. thy beauty's legacy = the riches that your beauty should leave to the world when you are gone (your children). The legacy of beauteous children should be created by his semen which he is wasting instead in frivolous self pleasure. |
3. Nature's
bequest gives nothing, but doth lend, |
3. Nature's bequest = the qualities, talents, attributes, which are provided by Nature at birth. Nature, however, does not give outright, but only makes a loan. She expects repayment of the loan with interest (in the form of gifts to the world). |
4. And being frank she
lends to those are free: |
4.
frank = generous, liberal; to those are free = to those who are open hearted, free spirited. Nature expects a reciprocal response to her gift. |
5.
Then, beauteous niggard, why dost thou abuse |
5. niggard
= miserly person; stingy
and selfish individual. abuse = ill treat. Also with a suggestion of self-abuse, masturbation. The use of niggard(ing) here and in I.12 in a similar context suggests a slang meaning of tosser, wanker. |
6.
The bounteous largess given thee to give? |
6. The
inheritance (of beauty etc.) which was
given to you so that you might pass it on. largess
= generous bestowal
of good qualities. |
7. Profitless usurer, why dost thou use |
7. The comparison of the youth with a usurer (money-lender), albeit a profitless (unsuccessful) one, is not very flattering. Perhaps it was meant to stir him into action which would remedy the situation. use is intended both in the technical sense of lending money as a usurer, as well as that of making use of (his beauty) by procreating. |
8.
So great a sum of sums, yet canst not live? |
8. So
great a sum of sums - Usurers had
large sums of money at their disposal. They performed financial
services
which are nowadays done by banks. yet canst not live - the poet here compares the usurer who makes a comfotrtable living from the interest he charges, with the youth who has so much wealth of beauty, yet cannot live (survive) into the future. |
9. For having traffic with thy self alone, |
9. i.e by
not dealing in the commodities which
nature has bestowed upon you (nobility, beauty, wealth). The sexual
meaning
of masturbation is fairly explicit. |
10.
Thou of thy self thy sweet self dost deceive: |
10. You
deprive yourself of children, who are,
in a sense, yourself; you deceive, cheat yourself. of thy self could mean 'by your own action'. deceive = cheat. |
11.
Then how when nature calls thee to be gone, |
11. Then how - the question is taken over by What acceptable audit in the next line. The compound question may be read as 'How will you give an account of yourself and your behaviour to Nature when she calls (when you die) and what audited record of yourself will you provide. |
12. What acceptable audit canst thou leave?
|
11, 12. Taken together the two lines seem to mean 'How is it that, when your time of death comes, you will not be able to render a satisfactory account of yourself?' (See note to line above). Strictly speaking the term audit is applied to a check which is made on accounts after they have been presented, but also, by extension, it appears to mean the accounts themselves. It is based on the Latin Audite, (and spelt thus in 49 and 126), and is the imperative of the verb audire, to hear. Hence 'Hear! Listen! Be heard!' is the implied translation, and it indicates the hearing of accounts presented before a court, or tribunal, or in some such official setting. |
13. Thy unused beauty must be
tombed with thee, |
13. Here
there is also a secondary (primary?)
sexual meaning. Your beauty (seed) should be used for procreation. If
used
in such a way, it would create progeny, a child who would be the
inheritor
of that beauty. But if unused, by being spilt and wasted then etc. must be tombed = cannot avoid being entombed. (Your seed would be buried uselessly in your lap). Your children would be unborn, forever entombed. |
14. Which, used, lives
th' executor to be. |
14. Which
refers to 'thy beauty'. If
it is used, it creates children, who would interpret and present you as
you were to the world. lives th'executor to be = lives in the future as your children, as the inheritor and administrator of your beauty. |
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First line index | Title page and Thorpe's Dedication | Some Introductory Notes to the Sonnets | Sonnets as plain text 1-154 | Text facsimiles | Other related texts of the period |
Picture
Gallery |
Thomas Wyatt Poems | Other Authors | General notes for background details, general policies etc. | Map of the site | Valentine Poems |
London Bridge as it was in Shakespeare's day, circa 1600. | Views of London as it was in 1616. | Views of Cheapside London, from a print of 1639. | The Carrier's Cosmography. A guide to all the Carriers in London. As given by John Taylor in 1637. | Oxquarry Books Ltd | |
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