Poems for St. Valentine's Day
LOVE POEMS
SIXTEEN SONNETS IN PRAISE OF BEAUTY
This is part of the web site of Shakespeare's sonnets
circa 1650 Velasquez.
See below for enlargement. |
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London Bridge as it was in Shakespeare's day, circa 1600. | Views of London as it was in 1616. | Views of Cheapside London, from a print of 1639. | The Carrier's Cosmography. A guide to all the Carriers in London. As given by John Taylor in 1637. | Oxquarry Books Ltd | |
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The poet asks himself what can be the meaning of his love? Does it add or subtract anything from creation? When he ponders his own littleness, it seems so unimportant a matter that he should engage in such fancies. Yet there is nothing else that is significant to him, only his beloved and her beauty. What then is to be done? Why write and commit his love to words and paper? Is it for fame and glory, or to show that he is better than many, or only to immortalize her wondrousness? He confesses his ignorance and that he can never answer these questions. But if for no other reason, he must write and hymn his beloved, so that in some distant day she might learn how deeply she was adored, and how she gave life and beauty to the world and to all who knew her. |
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Since nothing in the world can reach perfection, (one's love excepted), the poet offers these poems in the hope that others might enjoy or learn from them. He despairs of making improvement on them and so offers them in a raw unblemished state, fearing he might one day renounce them all. That they are in an older style he makes no apology for, since, with the passage of a few years even modernity becomes outmoded. May all lovers on this day meet with their heart's desire. Vale. |
I | ||
In the
world's history lovers have a place |
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II | ||
Because of
you the summer rains smell sweeter,
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III | ||
Sometimes I
think that I shall never live |
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IV | ||
I cannot see
my own demise, for always |
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V | ||
Yet if I die
it is of no great moment: |
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VI | ||
Clouds lie
sleeping upon the dales and hills;
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VII | ||
In the
world's maps love is undocumented, |
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VIII | ||
Though all
the world might say it could not
be |
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IX | ||
What is it
to be a woman and love like this?
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X | ||
It cannot be
sufficient to be all eyes |
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XI | ||
Alas I have
not spoken, yet her looks |
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XII | ||
What is the
strangeness that unites two minds,
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XIII | ||
How might I
write so that in every line |
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XIV | ||
I wandered
on the hillside path where nature
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XV | ||
Of all my
loves this is the first and last |
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XVI | ||
My lovely
girl, who with the years has grown
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Return to previous page of love poems. | ||
Other poems by the same author |
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Other poems by the same author
Home | Sonnets 1 - 50 | Sonnets 51 - 100 | Sonnets 101 - 154 | A Lover's Complaint. | Sonnet no. 1 |
First line index | Title page and Thorpe's Dedication | Some Introductory Notes to the Sonnets | Sonnets as plain text 1-154 | Text facsimiles | Other related texts of the period |
Picture
Gallery |
Thomas Wyatt Poems | Other Authors | General notes for background details, general policies etc. | Map of the site | Valentine Poems |
London Bridge as it was in Shakespeare's day, circa 1600. | Views of London as it was in 1616. | Views of Cheapside London, from a print of 1639. | The Carrier's Cosmography. A guide to all the Carriers in London. As given by John Taylor in 1637. | Oxquarry Books Ltd | |
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